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Roxana Preda initiated The Cantos Project in the months following the Ezra Pound International Conference in London in 2011. She solicited copyright permission from New Directions and Mary de Rachewiltz, outlining the rationale of the project and the needs it was meant to address. The primary goals of the project are twofold: maintain and develop the current and future readership of the poem through multimedia annotation; further, provide a space where the community of Pound scholars, as well as students of the poem can find the best work of the past, talk to each other and develop the scholarship of the future. The Cantos Project is an interactive, dynamic website where scholars can create annotation, upload essays, images and audio material, submit work in progress to peer review.

At the request of New Directions, Roxana assembled a board of scholars who agreed to supervise the project as a whole. This board consists of: Prof. David A. Moody, Prof. Walter Baumann, (UK), Prof. Richard Sieburth, Prof. Alec Marsh, (US), Prof. Massimo Bacigalupo (Italy), Prof. Peter Liebregts (The Netherlands), Prof. Ira Nadel, Prof. Leon Surette and Prof. Demetres Tryphonopoulos (Canada).

Roxana launched The Cantos Project website on Pound's birthday, 30 October 2014.

 

GO TO SITE!

 

Organization of the site:
 

I. Scholarship

The scholarship and the audio-visual material is to be organized on four levels, as the pages of The Cantos Project proceed:

 

Levels of access:

 

 

II. The poem text:

The text displayed on the site will be that of the latest New Directions edition, so as to ensure continuity between the electronic text and the hard copy edition for the contemporary reader. 

New Directions has allowed us the presentation of twelve cantos at any one time. They will be available to the community for update and supplementation for a period of a year. After this time, annotation will be converted to an online companion to The Cantos in open access for scholars and students to examine and download.

Readings of the cantos will be provided on their title pages wherever possible. It is the editors’ goal to link every poem to the old readings (now preserved at Penn Sound) and to open the way to new, contemporary ones.